THE photographs of Surface Tension look very Michelangelo-meets-Atlantis underworld with their ethereal marble white bodies which were shot in a shallow suburban pool in Plumstead.
This effect is the clever result of using free-standing, frameless mirrors suspended behind and/or between the models in the water, and half a million rands' worth of lighting above the water's surface.
"The images are not heavily treated at all," insists the photographer, Niklas Zimmer. "They were graded for consistency of colour (the light during this day-long shoot changed a lot), that's pretty much it. There is no constructing or layering at all; what you see is what was there in the water.
"The 'dreamy' effects are typical problems when shooting in water: tiny bubbles …
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